Nomad
Nomad Octave Fuzz
Before releasing the Nomad into the world I built a whole bunch of octave up fuzzes including the Univox Super Fuzz, Ibanez Standard Fuzz, Foxx Tone Machine and Ampeg Scrambler to see which one worked best on bass. As much as I love the Beastie Boys Superfuzz bass tones, I found the Tone Machine worked best for me, while still having the classic 70s octave up fuzz vibe. My main complaint with the original circuit was that it lost a little low end and the scooped mids meant it got lost in the mix too easily. I thought about modding the original tone control but decided to try replace it with the modified Matamp style tone stack from the Sledgehammer. This worked amazingly well adding plenty of chunky midrange so I ran with it. The MK3 now has a parallel clean boosf with a low pass filter (aka high cut) to blend in clean low end if and when it's needed. At minimum all clean is cut so you can have just the right amount of clean as you roll up the clean volume. If your after classic 70’s psych octave fuzz buzz like Flower Travelin Band - Satori then this is the pedal for you.
Current active users of note include Torsten of God Is An Astronaut, Billy Fuller of Beak>, Dav of Thumper, Matt of No Spill Blood, Tanya of Bismuth, Carlos of Fontaines DC, Ian of Squarehead, Rian and Scan of Panik Attaks, Moose of Wild Rocket, Richie (Jape) and The Redneck Manifesto, Barry of Bitch Falcon, David of Slomatics, Sarah of Pillow Queens, Lee of Idles, Jake and Stevie Lennox of Junk Drawer.
The pedal graphics are hand pulled screen prints on powder coated or hand sprayed cases. Colours can vary from run to run, feel free to get in touch for more info.
All pedals are true bypass as standard and powered by the industry standard (boss style) negative tip 9V DC power supply. For best results use a reputable regulated pedal power supply.
Octave Up Fuzz
Inspired By The Foxx Tone Machine
Treble & Bass Tone Controls
Three Clipping Modes
Parallel Clean Boost With Low Pass Filter
FIRST PICTURE IS A SAMPLE OF CURRENT FINISH ON THESE WITH THE CLEAR/SILVER KNOBS POWDER COATED AND HAND PULLED SCREENPRINTS DONE IN HOUSE HERE
Nomad Octave Fuzz
Before releasing the Nomad into the world I built a whole bunch of octave up fuzzes including the Univox Super Fuzz, Ibanez Standard Fuzz, Foxx Tone Machine and Ampeg Scrambler to see which one worked best on bass. As much as I love the Beastie Boys Superfuzz bass tones, I found the Tone Machine worked best for me, while still having the classic 70s octave up fuzz vibe. My main complaint with the original circuit was that it lost a little low end and the scooped mids meant it got lost in the mix too easily. I thought about modding the original tone control but decided to try replace it with the modified Matamp style tone stack from the Sledgehammer. This worked amazingly well adding plenty of chunky midrange so I ran with it. The MK3 now has a parallel clean boosf with a low pass filter (aka high cut) to blend in clean low end if and when it's needed. At minimum all clean is cut so you can have just the right amount of clean as you roll up the clean volume. If your after classic 70’s psych octave fuzz buzz like Flower Travelin Band - Satori then this is the pedal for you.
Current active users of note include Torsten of God Is An Astronaut, Billy Fuller of Beak>, Dav of Thumper, Matt of No Spill Blood, Tanya of Bismuth, Carlos of Fontaines DC, Ian of Squarehead, Rian and Scan of Panik Attaks, Moose of Wild Rocket, Richie (Jape) and The Redneck Manifesto, Barry of Bitch Falcon, David of Slomatics, Sarah of Pillow Queens, Lee of Idles, Jake and Stevie Lennox of Junk Drawer.
The pedal graphics are hand pulled screen prints on powder coated or hand sprayed cases. Colours can vary from run to run, feel free to get in touch for more info.
All pedals are true bypass as standard and powered by the industry standard (boss style) negative tip 9V DC power supply. For best results use a reputable regulated pedal power supply.
Octave Up Fuzz
Inspired By The Foxx Tone Machine
Treble & Bass Tone Controls
Three Clipping Modes
Parallel Clean Boost With Low Pass Filter
FIRST PICTURE IS A SAMPLE OF CURRENT FINISH ON THESE WITH THE CLEAR/SILVER KNOBS POWDER COATED AND HAND PULLED SCREENPRINTS DONE IN HOUSE HERE
Nomad Octave Fuzz
Before releasing the Nomad into the world I built a whole bunch of octave up fuzzes including the Univox Super Fuzz, Ibanez Standard Fuzz, Foxx Tone Machine and Ampeg Scrambler to see which one worked best on bass. As much as I love the Beastie Boys Superfuzz bass tones, I found the Tone Machine worked best for me, while still having the classic 70s octave up fuzz vibe. My main complaint with the original circuit was that it lost a little low end and the scooped mids meant it got lost in the mix too easily. I thought about modding the original tone control but decided to try replace it with the modified Matamp style tone stack from the Sledgehammer. This worked amazingly well adding plenty of chunky midrange so I ran with it. The MK3 now has a parallel clean boosf with a low pass filter (aka high cut) to blend in clean low end if and when it's needed. At minimum all clean is cut so you can have just the right amount of clean as you roll up the clean volume. If your after classic 70’s psych octave fuzz buzz like Flower Travelin Band - Satori then this is the pedal for you.
Current active users of note include Torsten of God Is An Astronaut, Billy Fuller of Beak>, Dav of Thumper, Matt of No Spill Blood, Tanya of Bismuth, Carlos of Fontaines DC, Ian of Squarehead, Rian and Scan of Panik Attaks, Moose of Wild Rocket, Richie (Jape) and The Redneck Manifesto, Barry of Bitch Falcon, David of Slomatics, Sarah of Pillow Queens, Lee of Idles, Jake and Stevie Lennox of Junk Drawer.
The pedal graphics are hand pulled screen prints on powder coated or hand sprayed cases. Colours can vary from run to run, feel free to get in touch for more info.
All pedals are true bypass as standard and powered by the industry standard (boss style) negative tip 9V DC power supply. For best results use a reputable regulated pedal power supply.
Octave Up Fuzz
Inspired By The Foxx Tone Machine
Treble & Bass Tone Controls
Three Clipping Modes
Parallel Clean Boost With Low Pass Filter
FIRST PICTURE IS A SAMPLE OF CURRENT FINISH ON THESE WITH THE CLEAR/SILVER KNOBS POWDER COATED AND HAND PULLED SCREENPRINTS DONE IN HOUSE HERE
Nomad - Bass Demo - 70's Kramer 450B
Nomad - Guitar Demo - 90's Gibson SG
